Camille Mutin: A Journey Driven by Passion and Precision

At just 28 years old, Camille Mutin has already built an impressive career shaped by dedication, talent, and an unwavering love for cinema. From her first steps on stage as a child in Burgundy to training in the Actor Studio technique, her journey has been defined by discipline and ambition. Her experience working with legendary director Ridley Scott on The Last Duel was a pivotal moment, reinforcing her fascination with the craft of filmmaking. With a deep appreciation for French cinema and a strong attraction to American storytelling, Camille is drawn to roles that challenge and inspire. In this interview, she shares her early influences, the lessons learned from working alongside Hollywood’s finest, and her latest project, Paris is Just a Big Dirty City, which has already earned international acclaim. Step into the world of Camille Mutin, where every role is an opportunity to push the limits of creativity and expression.

Hello Camille. At only 28 years old, you already have many years of experience behind you. Tell us how it all started.

I started theater at the age of six with a musical. The stage immediately fascinated me, so my mother enrolled me in a theater troupe in Burgundy when I was seven. Until I turned 18, I was part of a traveling company called Golmus, which taught me a lot, especially about hard work and discipline.

You trained in the Actor Studio technique at the Method Acting Center for three years, a method used by legends like Robert De Niro and Al Pacino. Do you aspire to an international career?

Method Acting Center trained me in the American approach, which allowed me to dream bigger. American, British, Asian cinema—everything captivates me. I have a deep respect for French cinema, and many of my favorite films are French. But it’s true that I aspire to an international career. My goal is to push my limits, to dream bigger, and to take on the kinds of roles that inspired me to become an actress—many of which extend beyond French cinema.

Was there a special encounter at this school? Someone who inspired you?

Yes, Hermann Deckous, an acting and dance coach. He helped me prepare for auditions and pushed me to believe in myself, particularly in dance. We’ve kept in touch, and we’re eager to work together again, especially in the United States. He is an incredibly hardworking, talented, and generous actor and director.

At just 24 years old, you were selected from over 100 candidates to play a young lady of the court in The Last Duel, directed by Ridley Scott. Tell us about that experience.

It was an incredible experience. I spent three weeks in Ireland for the shoot. Watching actors like Ben Affleck and Adam Driver at work was truly inspiring. Ridley Scott is a force of nature, a giant of cinema, but what surprised me most was his warmth and accessibility. He guided me carefully in our scenes, as did Ben Affleck and Adam Driver, who were both highly professional. Even though my role was small, I learned so much from this experience.

You worked with Ben Affleck and Adam Driver under the direction of Ridley Scott. What did you take away from this experience?

I learned the importance of precision and discipline. Performing in a historical drama of this scale requires great finesse—qualities that these incredible actors embody. Ridley Scott is meticulous about detail; everything is carefully thought out to remain historically accurate to the late 14th century. The entire experience was inspiring and reinforced my desire to work with American directors and actors who embrace bold, ambitious storytelling.

American cinema seems to hold a special place in your heart…

Absolutely. I have always been fascinated by American cinema. I grew up watching 1950s musicals—those colors, that magic, the joy, and the music—it’s mesmerizing to me. Westerns also played a big role in my childhood. And then there’s Quentin Tarantino. When I was about seven, I secretly watched Kill Bill: Vol. 2 from behind a door in my parents’ living room. I was both impressed and fascinated by the power of Uma Thurman’s character. Tarantino creates strong, badass female characters, and seeing that on screen was a revelation. I’ve always dreamed of acting in a potential Kill Bill 3(laughs). That film also inspired me to take up martial arts.

Another American director approached you for the project Paris is Just a Big Dirty City…

Yes, Alexandra Papoulias Barton, a talented American director and actress! She wrote and directed the film along with Crystel Amsalem and Patrick Levy, and I had the chance to work with her. She envisioned a special role for me—an eccentric French girl—which I had so much fun playing! The film has received numerous awards in South Korea, Los Angeles, Berlin, Melbourne, Tokyo, and more. It was also officially selected in Santa Monica, Hiroshima, and many other festivals. But this adventure isn’t over yet—we’re planning to shoot a sequel, hopefully in the United States.

A sequel in Los Angeles?

That’s what we’re hoping for!

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