Chris Ammanuel | BELLO Young Hollywood

From his first role at age 11 in Getting Outta Bombingham, Christopher Ammanuel has been committed to storytelling that resonates deeply with the human experience. “That was a unique experience,” he recalls, emphasizing the project’s historical roots in the 1963 children’s march against injustice. “It taught me that acting takes a lot of work and research if you want to be good.” This lesson in dedication has carried through to his recent work in 1992, a film that navigates the complex terrain of racial tension in America.

Portraying Antoine King during such a pivotal moment in American history was no small task. Ammanuel explains the project’s emotional intensity: “It was hard for me, but I wanted to understand the mind frame of those who protested.” He drew on resources, including firsthand accounts from people who lived through that tumultuous period, allowing him to immerse himself in the historical context.

His journey has taken him between Atlanta and London, each city shaping his creative outlook. “Growing up, I heard that LA, New York, or London produced the top talent,” he shares. “But it gave me the understanding that there is enough talent here in America too.” This realization fuels his ambition to highlight diverse stories that often go untold.

As a new father to a baby daughter, the artist’s perspective has shifted dramatically. “I used to think my career was the most important thing, but now my daughter and family are what truly makes me happy,” he admits. This profound love and responsibility provide a sense of peace amid the unpredictability of the entertainment industry.

With 1992 initially intended for VOD but now thriving at the box office, Darby expresses gratitude for the film’s success. “I’m just happy that the story was told honestly. The feedback from fans has been overwhelming,” he says, reflecting on the film’s potential to spark meaningful conversations as it reaches broader audiences through streaming.

Darby takes immense pride in his role as a black superhero in Black Lightning. “It was inspiring because it proves we can do anything,” he states, highlighting the importance of representation in media. “I hope to take on roles that encourage young people to believe in their dreams.”

As he navigates multiple roles in the industry—acting, writing, and producing—he is excited about his upcoming project, Keys, a Bay Area story that he believes showcases artistic value without falling into cliches. “I want to give voice to the voiceless,” he asserts passionately.

In addressing the pressing social issues that films like 1992 tackle, Darby believes cinema wields immense power. “Stories have always influenced our culture,” he explains. “They can have either a positive or negative impact, and we must tell stories filled with purpose.”

With thoughtful insights and dedication to his craft, Christopher Ammanuel Darby embodies the new generation of storytellers committed to making a difference. As he juggles his rising career and fatherhood, his work continues to challenge norms and inspire future generations.